stephany evans fineprint literary management

#Stephany evans fineprint literary management free

I decided to enter the beginning of my first contemporary to see if I was on the right track. This was especially true for the first draft chapters. But both offered great insights into how I could improve my writing. In another, the same chapters did not even make the final rounds. The polished manuscript chapters won one contest and I received a request for a full. Instead of focusing on the final round judges, I looked for contests that featured trained first round judges (for the best feedback) and a reduced entry fee for subsequent submissions to avoid breaking the bank with contest fees. And I also changed what I looked for in a contest.

I submitted one polished work and one first draft. I needed something to me get back in writing mode and the deadlines helped.īut this time, I tried something different. This fall, after four months of spending every waking (and some not so awake moments) caring for my newborn son, I decided to enter a handful of contests to motivate me to keep writing. Both pointed out similar flaws or problem areas. After a year of this back and forth, I started to see the similarities between the judges’ comments and my rejection letters. I would stop entering and focus on submitting. With the deadline looming for the Beau Monde’s Royal Ascot Contest, our amazing contest coordinator, Sarah Tormey, talks about MAKING CONTESTS WORK FOR YOU.Īs an aspiring writer, I admit I have caught contest fever from time to time, and was always disappointed when my work did not final.

#Stephany evans fineprint literary management free

Winner(s) will be announced at The Beau Monde Conferenceįurther details will be announced on the blog and website soon! If you have any questions, feel free to contact this year’s co-coordinators, Sarah Tormey and Wendy La Capra, at Thank you!.

Friday April 6th, 2012, midnight PDT: Deadline for all parts of entry.

Pam Hopkins, Hopkins Literary Associatesīesides the February 1st opening, some additional important dates are:.

The lowest score will be dropped, and the top six entries will move to the final round. Sweet & Mild Regency (Traditional, Inspirational, Young Adult or other without explicit sex).Įach entry will be judged by three judges, including at least one published in Regency Romance. Wild Regency (Paranormal, Time Travel, other similar Regency) Hot Regency (Very sensual to Erotic Regency, at author’s discretion) Regency Historical (longer Regency or Mainstream Regency-set) No synopsis is necessary!Our categories will be used to assign first round judges to the manuscript types they prefer: All entries must have at least partial Regency (Late Georgian) setting, broadly defined: within the United Kingdom between 17. This year’s contest will be open to unpublished authors and authors who have not been contracted in book length fiction by RWA PAN definition in the last 5 years. In the next few weeks, details will be available on our webpage and through MyRWA, but, for now, here are highlights: Unpublished writers: Polish the first 7000 words of those manuscripts! The 2012 Royal Ascot will open for Entries on February 1st, 2012.